2 x 4:4:4 INPUTS
2 x 4:2:2 INPUTS
1 x 4:4:4 OUTPUTS
2 x 4:2:2 OUTPUTS
SUPPORTED VIDEO FORMATS:
1920 x 1080I/PSF 10-/8-BIT YCBYCR 4:2:2
OR 10-/8-BIT RGB 4:4:4 23.98, 24, 25,
29.97, 30 FPS.
1920 x 1080PSF 10-/8-BIT YCBYCR 4:2:2
DUAL-LINK 47.96, 48, 50, 59.94, 60 FPS.
1280 x 720P 10-/8-BIT YCBYCR 4:2:2
OR 10-/8-BIT RGB 4:4:4 59.94, 60 FPS.
ARRIRAW 12-/14-BIT SUPPORT
AES/EBU DIGITAL AUDIO I/O
ANALOG AUDIO I/O
3.5MM STEREO HEADPHONE MONITOR
SUPPORTED AUDIO FORMATS
16/24-BIT AT 48 KHZ, AES OR HD-SDI
1 x GIGABIT ETHERNET
1 x GENLOCK
1 x LTC TIMECODE
1 x GPI RECORD TRIGGER
1 x RS422 MACHINE CONTROL
SOLID STATE 128 – 512GB DATA PACK
Setting the standard for file-based workflows, the Codex Onboard Recorder can capture the best Quality digital camera originals.
It can be mounted directly on a wide range of camera systems including the Sony F23, F35,
Arri D-21 and Arri Alexa. The Codex Onboard can record uncompressed or wavelet cinema quality HD material, – Plus audio and metadata – onto a single, removable data pack. When shooting is done, it offloads material faster than real-time. The Codex Onboard is ideal for anyone who wants to work fast, at the highest quality, using a weather-resistant unit that weights just 2.5Kg
What is it? The Codex M Recorder is the start of your file based workflow. It can record anything, from HD for television to the highest quality digital cinematography cameras.
What does it do? The Codex M recorder can record uncompressed or wavelet cinema quality HD material – plus audio and metadata – onto a single, removable data pack. When shooting is done, it offloads material much faster than real-time – typically three to five times faster.
Who is it for? Anyone who wants to work fast, at the highest quality, using a weather-resistant unit, weighing just 2.5Kg/5.7lb, the Onboard is ideal for single or multi-camera production. It can record simultaneously from two 4:4:4 cameras – for A&B or 3D stereo shoots – or from two 4:2:2 cameras.
How does it work? The Onboard delivers immediate full-frame playback and review as video. It also delivers reference and viewing files over a network for full on-set quality control. Used with a Codex Media Station, it can deliver shots in multiple industry-standard formats – these can be generated on-the-fly for editing systems to use without importing.
The Onboard records using uncompressed or visually lossless wavelet compression, with compression ratios from 3:1 to 8:1. It also significantly reduces the storage requirements of a production.