RED EPIC | Los Angeles | Hollywood Camera Inc

SENSOR	14 MEGAPIXEL MYSTERIUM-X™
PIXEL ARRAY	5120 (h) x 2700 (v)
S/N RATIO	66db
DYNAMIC RANGE	13.5 stops, up to 18 stops with HDRx™
MAX IMAGE AREA	5120 (h) x 2700 (v)
LENS COVERAGE	27.7mm (h) x 14.6mm (v) x 31.4 mm (d)
DEPTH OF FIELD	Equivalent to S35mm (Motion) / APS-H (Still) lenses Equivalent to 16mm (Motion) lens in 2K RAW
ACQUISITION FORMATS	5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1) 4.5K RAW (2.4:1) 4K RAW (16:9, HD, 2:1 and Anamorphic 2:1) 3K RAW (16:9, 2:1 and Anamorphic 2:1) 2K RAW (16:9, 2:1 and Anamorphic 2:1) 1080p RGB (16:9) 720p RGB (16:9)
PROJECT FRAME RATES	23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
DELIVERY FORMATS*	4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder) 2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder) 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
PROGRAM OUTPUT	HD-SDI Clean Feed 2K RGB, 1080p RGB or 4:2:2, 720p 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
MONITOR OUTPUT	HD-SDI and HDMI with Frame Guides and Look Around 2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
DIGITAL MEDIA	REDMAG (SSD) Module : (64, 128, 256GB Media)
REDCODE™	12 and 16-bit RAW : Compression choices of 18:1 to 3:1 1-120 fps 5K, 4.5K 1-150 fps 4K 1-200 fps 3K 1-300 fps 2K
AUDIO	2 channel, uncompressed, 24 bit, 48KHz. Optional 4 channel, and AES / EBU digital audio.
MONITORING OPTIONS	RED LCD 5″ Touchscreen Display BOMB EVF™ High Definition Viewfinder
REMOTE CONTROL	Wireless, Ethernet, RS232, GPI Trigger
WEIGHT	5lbs. Body only
CONSTRUCTION	Aluminum Alloy
TEMPERATURE RANGES	Operating Range: 0˚C to +40˚C (32˚F to 104˚F) Storage Range: -20˚C to +50˚C (-4˚F to 122˚F)

1) EPIC-X Body

1) PL Titanium Mount with Port Cap

1) DSMC Side Handle

1) DSMC Side SSD Module

4) 64GB 1.8″ SSD Cards

1) 5″ Touchscreen LCD

1) 5” Red Arm 1) Red Bomb EVF

1) EVF Mount

2) Red EVF/LCD Cables 18” and 6”

1) Riser Plate

1) Top Cheese Plate

2) 15mm Studio Top Mounts W/Risers

1) Top Handle Leather

1) Side Handle Leather

1) Red 15mm Rod Clamp Battery Plate

1) D-Tap Junction Box

4) V-Mount Red Battery Bricks

1) IDX Quad Charger with AC Cable

2) Redvolts

1) Travel Charger with AC Cable

1) Dual XLR Audio Adapter Innocinema

1) Red 2B to 1B Lemo Power Adapter Cable

2) Red XLR 10’ Power Cables

1) Red Sync Cable

1) RED Station SSD Reader W/Power Supply

1) Pelican 1510 Body Case

1) Pelican 1560 Battery Case

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Description

The name is not an overstatement. The much anticipated addition to the RED EPIC is the answer to the professional’s wildest dreams and exists as the most sophisticated and capable camera ever engineered and built. In a package one third the size of a RED ONE, resides a 5K Mysterium-X™ sensor and a 27 layer ASIC, the most advanced processor of its type in the world, enabling RED EPIC to capture up to 120 frames per second, each frame at full 14MP resolution. EPIC is engineered to be a DSMC™ (Digital Still & Motion Camera), a camera that excels in both worlds … by design. Providing native dynamic range of over 13 stops and resolution that exceeds 35 mm motion picture film, this is the camera of the epoch. Add to that RED’s newly developed HDRx™ extended dynamic range technology and EPIC boasts an amazing dynamic range of up to 18 stops. Purpose-built for perfect multi-camera synchronization, EPIC comes to market at a time when 3D capture requires the sophistication of a new generation of innovative technology. EPIC, very simply, is epic. We know renting a RED EPIC from Hollywood Camera is the best decision you will ever make. To talk with a sales rep or camera expert please contact us for any questions you may have.